Isaac Asimov: The Roving Mind

Isaac Asimov: The Roving Mind

Prometheus Books

Isaac Asimov's death on April 6, 1992, was a great loss to the world of literary science and freethought. The prolific author's vision is unmatched today, and his pointed honesty shines through in The Roving Mind, now reissued in this special tribute edition.

This collection of essays is wide-ranging, reflecting Asimov's extraordinary skill in disseminating knowledge from across the spectrum of human thought.More...

Isaac Asimov's death on April 6, 1992, was a great loss to the world of literary science and freethought. The prolific author's vision is unmatched today, and his pointed honesty shines through in The Roving Mind, now reissued in this special tribute edition.

This collection of essays is wide-ranging, reflecting Asimov's extraordinary skill in disseminating knowledge from across the spectrum of human thought. Some of the areas explored in this volume of 62 essays include creationism, pseudoscience, censorship, population, philosophy of science, transportation, computers and corporations of the future, and astronomy. His predictions about cloning which has only recently become the topic of public debate the theory of "technophobia," and other scientific developments are astounding. In a lighter tone, Asimov includes several personal stories from his life including thoughts on his style of writing and memories of family in younger days.

Science

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I believe in evidence. I believe in observation, measurement, and reasoning, confirmed by independent observers. I`ll believe anything, no matter how wild and ridiculous, if there is evidence for it. The wilder and more ridiculous something is, however, the firmer and more solid the evidence will have to be.

Page 43

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How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.

Page 116

To surrender to ignorance and call it God has always been premature, and it remains premature today.

Page 6

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